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I'd been playing the piano since I was five, growing up in Texas, so I knew a few moves. The experience of preparing for Ray was in a way even more privileged. I was watching, thinking the essentials in life are to shape your skills, get through to people and work, work, work. He communicated that the best things were going to happen. He was so crazy and he was so ready for life.
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He was just like the coach in the movie (played by Al Pacino the film tracks an American football team).
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I like to watch how folk like this operate the best lesson I've taken away is that you need the combination of working your skills plus the authority and the passion to see it through.
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These are people who know their craft, who know how to get things done. Maybe the marketing's not good, the film's not sold well.īut if you're with the likes of Michael Mann, who I worked with on Collateral and just recently Miami Vice (released in Britain later in the year), and Oliver Stone, who gave me a great opportunity with Any Given Sunday, you know there's a very good chance that everything will work out.
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Films especially can be like a crap shoot plenty of stuff can happen between the script and people seeing it in theatres. I think it's true that I don't lack for confidence, but I always try to work with the best people - it's the finest guarantee of anything. In a strange town, it's good to get involved with the local culture! We went to a club, Pangea (in central London), for some partying. Then somebody persuaded me to go out, though I have to admit I didn't take much persuasion. The others were Frank Sinatra, Bing Crosby and Barbra Streisand, so I'm in pretty good company.Īfter the show, Sade came backstage to say hello - she's long been a heroine of mine. I'm proud to be only the fourth person ever to win an Oscar and to have a number one US album. Sure, it helps that people are saying yes. Which partly explains why I am singing as well as acting, because I want to. In your private life, in professional life, just do it. The line of life being too short might be a cliché, but it has always worked for me because I feel it's true.
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I like to put everything out there, not to hold back. My approach, I suppose, is to be more direct. Since then, I've been using it all the time - 'I fancy you who do you fancy?' It's such a fabulous word, but sort of sweet, too, so English. 'I fancy you, Jamie,' I heard when I was out with my guys. This reminds me that I learned a new English word - 'fancy'. So this is London, too, I was thinking, looking at the passion and the smiles, shouting out at my 'chocolate sisters'. When I was on stage singing earlier last week, I was looking out into the audience, wondering where all these beautiful black women were from, with their great style and dancing moves? I've been to the UK before, but maybe because I was in a slightly different world - promoting movies - I didn't see this diversity. It is a sort of new, different London I'm seeing this time around.